Maher Alkhaja is a multifaceted artist and director known for his contributions to film, television and theater. His work often delves into themes of horror and suspense, showcasing his unique creative vision. Alkhaja directed notable films such as The Fifth Room and The Curse of the Devil and gained recognition for his short film We Need to Talk (2012). He also served as a field director for the TV series Studio One (2011). In addition to his directorial achievements, Alkhaja has acted in theatrical productions like For Sale and is also celebrated as a singer.
Can you tell us about your journey into the film industry and what inspired you to become a director?
Since childhood, I have loved the world of cinema and films. My passion for cinema and movies grew from following the latest and greatest cinematic works, watching films and learning how movies are made. This led me to acquire home video cameras, start filming my daily life and learn old editing techniques. Eventually, I enrolled in The British University to study filmmaking and won the award for Best Short Film, which was my graduation project. Thus began my journey in directing and cinema. I opened my own production company to create programs, advertisements and films. This is where I started producing and directing the first Arabic horror film series and Arabic horror programs. Later, I established a sports channel and began producing many television programs.
Your films often explore themes of horror and suspense. What draws you to these genres and how do you approach storytelling in this context?
The production of the first Arabic horror film series and programs was based on the idea that in my generation, there were no horror movies or series. This was very unusual for the Arab audience watching an Arabic horror film. I decided to be the pioneer in making Arabic horror films. Additionally, in my generation, technology wasn’t as advanced as it is now. We used to hear many horror stories, but we never knew if they were true or just fictional tales. After earning my directing degree, I began my journey in producing Arabic horror films. I am also a fan of horror films.
You have worked on various projects, including “We Need to Talk” and “Studio One.” What were some of the challenges you faced during these productions?
Regarding television programs, my experience is vast. I’ve worked on various programs including sports, social and artistic shows, as well as live coverage of New Year’s Eve celebrations and many other events. I didn’t face difficulties in producing television programs and advertisements, unlike filmmaking. On the contrary, the atmosphere was always enjoyable and fun. I didn’t face any challenges in the television program field, unlike the production of Arabic horror films, which was something new in Arab media.
As a singer and filmmaker, how do you balance your dual passions and do they influence each other in your work?
As a singer and director, singing was initially just a hobby until I started developing my vocal abilities. I began writing and composing my songs and producing albums. However, in the beginning, I focused all my energy on cinema and television, while singing was more of an extra activity. My love for music and art, though, is just as strong as my love for filmmaking and programs. Art knows no boundaries and I consider myself a person with many creative talents, constantly discovering new abilities.
What message or emotions do you hope to convey through your films, particularly those in the horror genre?
Through the horror films I’ve made, while they were frightening, I always incorporated humanitarian messages and addressed social issues, such as family disintegration and the family problems that sometimes turn a home into a terrifying place to live. I also addressed the topic of artistic flattery in a horror context and the terrifying things that sometimes happen behind the scenes in the entertainment industry. I continue to tell social stories and meaningful tales that were not previously highlighted in the media.
Can you share any memorable experiences from your time as a judge on “Golden Voice” and how that role has impacted your career?
Regarding my experience as a judge in recent and many other events, I truly enjoyed this experience. However, I always say that every person is creative and I don’t believe it’s my place to judge anyone’s creative space. I see my role as a judge more as a marketing presence, as I tend to give high ratings every time I evaluate talent. I view myself as a bridge to support talent and creativity because I’ve faced many challenges in my early years and understand how difficult it can be to continue and develop creativity. Nonetheless, I am very happy with my experience as a judge because it has brought me closer to the audience and my followers.
How do you see the film industry evolving in the UAE and what role do you hope to play in that evolution?
As for local cinema, I can confidently say that we have made significant progress. We are not far from competing with international films. Arab and Gulf media have evolved and developed considerably. My role was to introduce a series of Arabic horror films, that didn’t exist before, and now, there is strong competition among filmmakers in producing Arabic horror films and programs. I was a pioneer in producing several cinematic and television productions, and today, as I grow older, I am proud to have invested many years of my life in developing Arab and Gulf art.
What advice would you give to aspiring filmmakers who are just starting their careers?
My advice to filmmakers is to be unique and present what is unconventional, as the world values diversity. The key is to continuously develop and evolve in filmmaking, offering ideas that resonate with the audience and reflect their experiences. This generation has a deep appreciation for authenticity.
Are there any particular filmmakers or artists who have influenced your style or approach to filmmaking?
I never followed the footsteps of a specific filmmaker because I had a very different path with no competitors, which was producing Arabic horror cinema and no one else was in the field. However, one director whose cinematic work and approach to filmmaking I admire is Nadine Labaki.
Your style resembles that of Michael Jackson. Is this an advantage to convey your messages or work through different people from different walks of life?
Regarding the resemblance in style between me and the legend Michael Jackson, it happened by coincidence and some people compared me to him. For me, this resemblance was a fast track to reach the audience and make my work more widespread.
What projects or themes are you excited to explore in your future work?
My future projects include producing a series of horror films and refocusing on filmmaking. However, it’s difficult to predict what the future holds, as I balance my participation in events, my role as a judge in fashion shows and other events, my programs and my personal life. Sometimes, planning for the future can be unclear. In conclusion, I thank you for having me and I’m very happy to have had the opportunity to introduce myself through your media. Thank you for these wonderful questions.