Edit: Vassilios Nicolaos Vitsilogiannis
(IG: @vassiliosvitsilogiannis)
Marcelo Ricardo Zeballos is a contemporary artist. He was born in Argentina. He studied at the University of Buenos Aires at the Faculty of Architecture. He began his career in arts in 1997.
His painting arrives as a new form of poetic beauty and has an impact on intellectual circles.
The works show the ideal woman, self-sufficient, complete, and independent. The blank spaces of her fabrics radiate light and sun, and their natural surroundings, the fragrances of flowers.
The blue of the sea goes hand in hand with her palette, and the ideology of the feminine manages to anchor itself.
In these paintings, you don’t have to look for the imprint left by the bristle of the brush, nor the fury of the rapid stroke, nor the spontaneous expression.
His painting is rational, with an orderly composition, neat, impeccably executed.
They are the result of two elements: aesthetics and concept. Similar to the world of graphics, the language is very popular and understandable, figurative, with strong contrast and synthesis. And, in the balance between whites and blacks, the saturated and vibrant primaries also participate.
To speak with Zeballos is to understand his work. What he says, he says once more, painting.
There they are women. In their own spaces. Take a walk in a park. Shopping. Sharing friendship and in relaxation.
Large close-ups of beautiful faces, like in the movies, medium shots, full figures, and fashion accessories are the symbols.
Here, frivolity is present as a virtue, and the dose of sensuality and eroticism is the strategy for an explicit message at recess.
Instagram: @mzeballos1
